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The Oscar Wilde Collection
Four classic comedies from one of the wittiest playwrights in Western literature.
Lady Windermere’s Fan
The irreverent satire that launched Wilde’s succession of classical comedies. A Lord, his wife, her admirer and an infamous blackmailer converge in this delicious comic feast of scandal. A divinely funny comedy of good girls, bad husbands and the moral hypocrisy of British high society in the late nineteenth century.
An L.A. Theatre Works full-cast performance featuring: Roger Rees, Eric Stoltz, Miriam Margolyes, Joanna Going, Gina Field, Judy Geeson, Arthur Hanket, Lisa Harrow, Dominic Keating, James Warwick, Tom Wheatley. Directed by Michael Hackett.
An Ideal Husband
Devilishly attractive Lord Illingworth is notorious for his skill as a seducer. But he is still invited to all the “best” houses while his female conquests must hide their shame in seclusion. In this devastating comedy, Wilde uses his celebrated wit to expose English society’s narrow view of everything from sexual mores to Americans.
An L.A. Theatre Works full-cast performance featuring: Miriam Margolyes, Samantha Mathis, Rosalind Ayres, Jane Carr, Peter Dennis, Judy Geeson, Paul Gutrecht, Martin Jarvis, Cherie Lunghi, Robert Machray and Jim Norton. Directed by Michael Hackett.
A Woman of No Importance
A tender love story, a glittering setting in London society and a shower of witticisms are only a few of the reasons this play has enjoyed hugely successful revivals. This 1895 drama is eerily prescient, as it explores the plight of a promising young politician, desperate to hide a secret in his past. With empathy and wit, Wilde explores the pitfalls of holding public figures to higher standards than the rest of us.
An L.A. Theatre Works full-cast performance featuring: Jacqueline Bisset, Alfred Molina, Yeardley Smith, Rosalind Ayres, Paul Gutrecht, Martin Jarvis, Robert Machray, Miriam Margolyes and Jim Norton. Directed by Michael Hackett.
The Importance of Being Earnest
Cecily Cardew and Gwendolen Fairfax are both in love with the same mythical suitor. Jack Worthing has wooed Gewndolen as Ernest while Algernon has also posed as Ernest to win the heart of Jack’s ward, Cecily. When all four arrive at Jack’s country home on the same weekend the “rivals” to fight for Ernest s undivided attention and the “Ernests” to claim their beloveds pandemonium breaks loose. Only a senile nursemaid and an old, discarded hand-bag can save the day!
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